KARACHI: The restriction on youtube.com is into its third year but uncertainty on when and how it would be unblocked and divide on justifications behind the sanction continue to hover around the world’s largest video sharing website.

Islamabad banned the social video-sharing platform on September 17, 2012 after its parent company Google had turned down Pakistan’s request to remove the blasphemous movie ‘Innocence of Muslims’, which caused uproar among Muslims across the world and sparked violent protests in some countries including Pakistan.

Proponents of internet freedom criticised the blanket ban of YouTube, saying it was a violation of basic civil rights. Viewing certain content is a personal choice and the government should not intervene, some say. On the other hand, there are those who say blasphemous content not only hurts the religious sentiments of Muslims but can lead to violence and the solution remains in blocking the material. The government took the latter road.

The YouTube saga started afresh last week when some Internet Service Providers restored the website in parts of Karachi for unknown reasons, whereas there is no change in the official stance. The news of the website’s availability spread quickly across the country. Scores of people took to social media and expressed their joy while many others shared their frustration for not being able to access it.

The government’s stance on the subject may not change and people may continue to be divided on YouTube’s accessibility. However, it makes little difference because, while the website remains blocked on paper, its content is available through various platforms.

Despite the ban, YouTube was always available to Pakistanis. Some people used proxy servers but, things became easier after local entrepreneurs, sensing the need, launched their own portals that allowed direct access to YouTube’s content.

Pakistani websites, such as playit.pk, ytpak.com and the recently-launched tubemuse.com provide direct access to YouTube’s content. However, there is a twist — they heavily focus on filtering blasphemous and objectionable content that Google originally refused to do.

“The videos are served directly by YouTube. What we do is that we block the objectionable content on a daily basis” said Hasan Saleem, the entrepreneur behind tubemuse.com, launched a month ago.

The website got 70,000 hits on the very first day and gets 40,000 daily views on average. The site reached a peak of 175,000 hits last week while 300 movie downloads took place the week before. The website’s country ranking improved from 2,316 a week ago to 1,631 on Saturday, according to alexa.com.

These statistics certainly indicate how quickly the users are adapting to alternatives of YouTube. These portals keep a low profile and do not market themselves but remain well received.

While TubeMuse is a recently launched video sharing portal, ytpak.com has been catering to millions of Pakistanis for over a year now. The Lahore-based portal was launched a year ago and now boasts 1 million daily page views with 200,000 videos watched on the platform every day.

Ranked in the 60s, ytpak.com – if current trends continue – will be among the top 10 websites of Pakistan, according to its founder Erfan Ilyas.

“Our portal scans the internet and pulls data [videos searched by users] from the fastest server that is available. It searches YouTube, Daily motion and other such platforms and serve it to users,” Ilyas said, explaining how the website works.

Responding to a question, Ilyas said his group founded the website for professional needs and not for profit.

The overwhelming public reception of the website, however, increased bandwidth costs and now they are looking to increase revenues to make up for server costs.

With these platforms aggressively focused on blocking blasphemous material and providing access to useful content, the official ban on YouTube may not restrict users from accessing the world’s largest video sharing website.

The writer is a staff correspondent

Game changer

The single biggest success of Pakistani video sharing platforms, such as ytpak.com and tubemuse.com was providing direct access to YouTube’s content while simultaneously blocking the objectionable content.

Before launching the site, TubeMuse prepared a list of content that was declared objectionable by the government and local courts. They had it blocked and now keep themselves updated to block similar content on daily basis. They do it through an automated code that filters objectionable content.
Ytpak.com, too, filters blasphemous content with a solution that uses intelligent key words, according to Ilyas.
“Our solution gives ratings to key words and when the ratings reach a particular point, the video is blocked and all of this is done automatically,” Ilyas said, adding that it is impossible to manually block objectionable videos that run into the millions.

Express Tribune

KARACHI: The government’s ban on video-sharing website YouTube has been protested on Twitter and Facebook time and again by everyone from ordinary citizens to journalists and musicians in the past four months.

While most have tried to live a life without YouTube — either by using Vimeo and Dailymotion — or around it by using proxies, the Pakistani music industry has suffered largely in silence. One group of artists has realised the importance of such a video-sharing platform, and has come up with a unique way to protest the ban — YouTube Aloud, a collaborative effort between Omran Shafique (Momo) from Mauj, Hamza Jaafri from CoVEN and Pakistan’s child prodigy Usman Riaz.

“YouTube Aloud is a social media page where we [and the Facebook community] express our thoughts about how this ban is having a negative effect on society,” Riaz tells The Express Tribune.

“Everything that I have learnt and achieved is a direct result of having a close connection to the online realm,” says Riaz. “YouTube can be the reason I became a TED Fellow. I would have never had a chance to speak on the TED stage or perform with Preston Reed — the man whose videos I used to watch on YouTube when I first picked up the guitar — if I didn’t have access to YouTube.”

As a representative of the group, Riaz raises the question: “Does it make sense to burn down an entire library just because you don’t agree with the contents of one of its books?”

In December, Riaz had posted a message on his Facebook page, asking other artists such as Adil Omar, Natasha Humera Ejaz and Mole if they would be interested in holding a marathon concert in support of YouTube. He wrote: “It will do two things. (1) It can be the press conference that Hamza Jaafri had in mind to discuss the negative aspects of this ban on the artistic community (which I am sure we all whole-heartedly agree with) and (2) it can result in a lot of artists coming together to perform and show content.”

“Hear! Hear! We are all with you on this one!” posted Meesha Shafi, in response to Riaz’s post. Others reacted in the same spirit, but so far, the concert has not taken place.

Musicians Zohaib Kazi and Zoe Viccaji recently wrote an open letter requesting Interior Minister Rehman Malik to restore the site. A line from the letter reads: “YouTube is a medium that provides a platform for both. It is a library of today and an archive for tomorrow — an archive from which we will be missing”.

Even Junaid Jamshed, the former Vital Signs member turned entrepreneur, feels YouTube should be restored. According to Jamshed, YouTube is a source of research and information. “I think we have already made our point by banning it — now it should be restored immediately,” he says.

“It is a free medium of information for people and plays a pivotal role in religious education because a large number of people go on YouTube to read the Quran and other religious texts,” explains Jamshed. “We are a Muslim nation and will not tolerate or watch anything blasphemous, even if it is present on YouTube. As a Muslim Ummah, we know what is right or wrong for us.”

However, not everyone agrees that the YouTube ban is impacting our music industry in a negative way. Senior musician Asad Ahmed, who has been in the music scene for three decades, says, “[YouTube] should be restored but I don’t think it is harming the music industry.”

“It’s funny that [people are] saying that,” he chuckles. “Around 50% of Coke Studio’s viewership is outside Pakistan and the real YouTube fans in Pakistan already have Spotflux or hotspot shield working for them.”

Pakistan Press Foundation